Street play artiste Prabakaran |
The scene also portrays incidents of smugglers stealing tanker lorries that
transport ‘PDS water’
In his street play III World War Prabakaran, a 34 year
old drama artiste, points out sarcastically how water would be so precious in
future.
Heading Vidiyal Veedhi Nadaka Kuzhu, an
organization for conducting street plays in the city, Prabakaran says:
“Street play is an effective medium for carrying messages of
social interest to the masses directly”
Prabakaran, who is working as a contract staff in the
District Water shed Development Agency, spends his weekends with his drama
troupe, staging street plays at important spots of the city.
Being also a singer of folk songs, Prabakaran can move a
listener to tears by singing his favourite folk number Ethanai Murai Vetkapaduva Engal Akka,
on how one’s elder sister is unable to get married due to demands of huge dowry.
“The evil practice of demanding dowry still persists in our society.
Dowry, if not in the form of jewels these days, is demanded as valuable
consumables, vehicles and immovable properties like plots and houses” rues
Prabakaran.
A performing artiste of Tamil folk dance forms, Prabakaran
has trained hundreds of college students in the city in Parayattam,Oyilattam and Kummiyattam..
“When I was a student, I used to sing folk songs on
occasions like school annual days, temple festivals and even in funerals”
recalls Prabakaran, who hails from Kattapettu, a village near Kotagiri.
Prabakaran informs that he learnt the art of staging street
plays at his age of 13 from Suresh Sharma and Francis, who were the students of
the famed Indian dramatist Badhal Sircar. He also underwent training in staging
street plays under popular Tamil playwright Professor M. Ramasamy, Department
of Dramas, Tamil University, Thanjavur.
Born to the parents, who were tea estate labourers in
Kotagiri, Prabakaran says that he mostly chooses the issues of the working
class as themes for his street plays. Also, his dramas campaign for the
protection of children from sexual abuse.
Differentiating the features of street play from those of
cinema, Prabakaran says:
“Cinema, with its commercial goal, draws the masses to the
theatre and entertains them for about two hours. But a street play, which is
very short, not only delights the spectators but makes them alive to the
problems in the society”
Link to my article in The New Indian Express: http://epaper.newindianexpress.com/c/1195550
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